Mar 29, - 3 of the best documentaries you will ever watch: Cowspiracy, Forks Over Knives, and Earthlings. They are on netflix and youtube! Genres: Documentary One of the best documentaries ever. If you have ever looked for a new way to approach life, art, and aging, I highly recommend. They're the scariest horror movies out there (Under the Shadow), and the best documentaries ever made (13th, Jiro Dreams of Sushi). Schauen Sie, so viel Sie.
Übersetzung für "best documentaries" im DeutschThey're the scariest horror movies out there (Under the Shadow), and the best documentaries ever made (13th, Jiro Dreams of Sushi). Schauen Sie, so viel Sie. Watch Netflix movies & TV shows online or stream right to your smart TV, game console, PC, Mac, mobile, tablet and more. Start your free trial today. Genres: Documentary One of the best documentaries ever. If you have ever looked for a new way to approach life, art, and aging, I highly recommend.
Best Documentaries Ever Looking for more documentaries? VideoThe Best Documentary Ever!! - The Story Of Earth And Life
The past is never past; in bringing the Holocaust to life in his towering nine-and-a-half-hour masterpiece, director Claude Lanzmann would stick solely to the present.
The memories become living flesh, and an essential part of documentary filmmaking finds its apotheosis: the act of testifying. Our top choice was an obvious one.
If you doubt the impact of this mightiest of movies, take time next month to catch IFC's 25th-anniversary rerelease, an ennobling theatrical experience.
We'll leave you with a taste of the first image: A graying man sings a quiet tune on a rowboat floating downstream, his eyes lost in thought.
As a year-old Jewish captive, he was beloved by his SS guards for his voice. Chris Marker's enthralling, globehopping essay is perhaps the finest first-person documentary, one that can leave you rivetingly unmoored.
Ostensibly, we're following a world traveler as he journeys between locations, from San Francisco to Africa, from Iceland to Japan.
A female narrator speaks over the images as if they were letters home "He wrote me The doc feels like a diary that's being written, reread and transposed to celluloid simultaneously, reinventing itself from moment to moment.
You'll be mesmerized. We now take it for granted that documentaries employ re-creations of events, borrow the narrative thrust of fiction and tiptoe into the realm of the poetic.
When Errol Morris introduced those techniques into his true-crime tale of a murdered Dallas police officer, however, the effect was galvanizing—and undeniably game-changing.
Structured like a whodunit thriller, Morris's case study proved that documentaries could become popular hits, and ended up exonerating an innocent man.
He'd pushed the nonfiction form into bold, exciting territory: Once he'd crossed that line, a legion of other filmmakers followed.
Any discussion of Holocaust documentaries must include Alain Resnais's sober, deeply affecting half-hour short. A survivor, Jean Cayrol, authored the omnipresent narration, spoken in detached tones over imagery of an empty and decrepit Auschwitz decades after the ovens cooled.
Resnais's camera glides over the landscape as if searching for clues to an unsolvable mystery, while photographs of Nazi medical experiments and their sickening results attest to atrocities that can't possibly be fathomed in full.
The film has the feel of a ghost story where the dead, despite their eerie silence, beckon the living to preserve their memory.
It will move you to tears—and beyond. Very often, we're reminded of the virtues of looking honestly and openly, without judgment.
And if a documentary can do this, it's special. But there must be room for social justice, central to the impulse to pick up a camera in the first place.
Barbara Kopple's staggeringly dense record of a Kentucky coal-mine strike is the ultimate example of crusading art: a chronicle of personal pain and sacrifice as ingrained as the soot in these workers' palms.
Duke Power Company drove its employees to the brink of ruination, an existence plagued by black-lung disease, insufficient wages and squalid housing.
When productivity ground to a halt, pickers found themselves targeted by armed thugs. Kopple captures it all, bringing the drama to a head while finding room for the rich local culture of bluegrass.
Fans of Bob Dylan will always treasure the way this movie captures their hero at his pop-messiah apex, but even those who don't dig Mr.
Zimmerman recognize D. Pennebaker's portrait as a groundbreaking work. It invented the fly-on-the-wall rockumentary, following the singer-songwriter as he lounges in hotel rooms and banters with buddies; the illusion of having an all-access pass to a musician's inner life starts here.
But the doc's true significance lies in the way it nails a celebrity culture that was just starting to become cannibalistic.
Reporters attack Dylan, rabid fans want a piece of him, and everything is reduced to an info-overload blur. The times would be a-changin' for both the media and this year-old messenger very soon.
A masterpiece of what-if storytelling, Peter Watkins's chilling featurette depicts the aftermath of a British nuclear war from a you-are-there perspective.
Using scientific research, government statistics, and testimonies on the damage done in Hiroshima and Nagasaki, Watkins presents manufactured scenes of suburban mayhem under the guise of an emergency news report.
Fires rage, children expire, and England is turned into a barren wasteland; no one had used the fake-documentary format to such an extent before, or with such urgency since.
Originally made for the BBC, Watkins's wake-up call was quickly banned by the network for being too harsh, yet it still nabbed a Best Documentary Oscar in Forty-five years later, it remains a high mark for employing vrit styles to construct something much more perverse and profound than your typical cautionary tale.
Today, Robert Flaherty's arctic slice of life is criticized: His Inuit subjects, made curious by the bulky camera, couldn't help but act a little.
Amazing Grace Faces Places Visages, villages Minding the Gap Three Identical Strangers The Last Waltz Knock Down the House Stop Making Sense Blackfish Taxi to the Dark Side Murderball Jodorowsky's Dune The Story of Anvil Inside Job The Square Al Midan Jiro Dreams of Sushi Seymour: An Introduction The Missing Picture Deliver Us from Evil Paris Is Burning One Child Nation Hoop Dreams Waltz with Bashir Waste Land Citizenfour The Interrupters Afghan Star Joseph High School in Westchester, Illinois, and play in its renowned basketball program.
Hoop Dreams depicts the culture shock Gates and Agee experienced in the predominantly white high school, to which the two boys commuted 90 minutes every day.
A modern masterpiece of documentary filmmaking, the film stirred controversy when it was shut out of the Best Documentary category at the Academy Awards—its sole Oscar nomination was for Best Film Editing.
In , Michael Apted profiled 14 children for his Granada Television special 7 Up , viewing the group as representative of England at large across the country's socio-economic system.
Every seven years, Apted returned to his subjects those that chose to participate, anyway to see how life changed for each one—and how their dreams, fears, and philosophies evolved with time.
The Up Series now includes eight films 56 Up was released in , and Apted has stated his intentions to continue the project. It remains a fascinating study of how class plays a major role in British culture, but also how the human experience is one that is ultimately universal, despite the specifics that we encounter as individuals.
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The Last Waltz. Grey Gardens. Paris is Burning. Three Identical Strangers. The Work The Orchard. Pina Sundance Selects.
The Act of Killing Dogwoof Pictures. The Central Park Five Man on Wire Magnolia Pictures. Kurt Cobain: Montage of Heck The Overnighters Mile End Films.
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Life, Animated If you had to watch a documentary in high school, I'd bet it was either because teacher was sick, or didn't feel like dealing with a bunch of year-olds for the day.
Cue the free-period nap, drooling in the dark while tepid voiceovers in British accents piped into your dreams. Now, docs are hardly of the five-hour BBC historical variety.
You have identical Fyre Festival docs being debated with fervor, and just about everyone is traumatized by childhood memories of Seaworld, and their cotton-candy-accompanied accessory to murder.
The network got in on the documentary game before the genre took off, with a catalog of gems going all the way back to the nineties.
Culling together footage of Nassar, clips from the court hearings, and interviews with the victims, At the Heart of Gold is an alarming tale that examines muddled notions of right and wrong, while also providing an empowering precedent for the Metoo movement a few months after.
Most of us probably remember what occurred during the Baltimore protests in But Baltimore Rising is something altogether different, capturing the city after year-old black man Freddie Gray died while under police custody.
For those of you that envision the Baltimore riots as if it was an apocalyptic movie scene—the initial scenes will not necessarily disprove this dystopian imagery— Baltimore Rising will expose you to the greater picture of the aftermath, giving a nuanced perspective of an event that shook the social and political landscape of the country.
On May 31, , two twelve-year-old girls took their best friend to the woods and stabbed her 19 times, acting under the delusion that they might appease an internet demon known as Slenderman.
The camerawork in court, makes you feel like you're really there, sitting alongside the spectators.American Movie is so refreshingly human. Represented by: Bernd Wilting More info. There was a problem Finger Limes reviews right now.